Showing posts with label microphone. Show all posts
Showing posts with label microphone. Show all posts

Wednesday, September 17, 2014

BC549C and BC547B Microphone amplifier

BC549C and BC547B microphone general description:

The preamplifier amplifies the output signal of a microphone, so that it can be. The further amplified by a power amplifier The circuit supplies the output to a signal line. With two transistors, it is not difficult to build such a circuit. The amplifier produces little noise. In the shown embodiment, the circuit is suitable for microphones 500 and 600 Ω. 200 Ω R1 microphones should be reduces to 220 Ω and C1 should be increased to 4.7 uF. The gain is set by R2. If the average declared value of 22 K? Can be used. The maximum gain is about 200 times.


BC549C and BC547B microphone circuit:


BC549C and BC547B microphone part list:

R1 = 470 Ω
R 2 = 22 K?
R3 = 12 K?
R4 = 47 k
R5 = 820 Ω
R6 = 100 Ω
R7 = 1 k
R8 = 100 k
C1, C4 = 2.2 V μF/16
C2 = 47 V μF/16
C3 = 470 nF
T1 = BC 549C
T2 = BC 547B


Read More..

Wednesday, September 10, 2014

Microphone Preamplifier

This is a good pre-amplifier for microphones that can be. Used in, for example, mixing consoles The circuit operates with a dual op-amp type NE 5532. The amplifier must be adjusted. Simply plug the power and control over P1 such that half the supply voltage (6 V) on pin 3 of IC1 state. P2 is then adjusted to the desired volume.
  • R1 = 8,2 kW
  • R2, R4, R5, R6 = 10 kW
  • R3 = 1 k
  • P1 = 4.7 K?
  • P2 = 100 k
  • C1, C2, C4, C6 = 10 uF
  • C3 = 470 nF
  • C5 = 100 nF
  • IC1 NE = 5532

Read More..

Saturday, August 9, 2014

Balanced Microphone Preamplifier

The preamplifier is intended for use with dynamic (moving coil–MC) microphones with an impedance up to 200 Ω and balanced terminals. It is a fairly simple design, which may also be considered as a single stage instrument amplifier based on a Type NE5534 op amp. To achieve maximum common-mode rejection (CMR) with a balanced signal, the division ratios of the dividers (R1-R4 and R2-R5 respectively) at the inputs of the op amp must be identical. Since this may be difficult to achieve in practice, a preset potentiometer, P1, is connected in series with R5. The preset enables the common-mode rejection to be set optimally. Capacitor C1 prevents any direct voltage at the input, while resistor R7 ensures stability of the amplifier with capacitive loads.
Circuit diagram:
Balanced_Microphone_Preamplifier_Circuit_Diagramw 
Balanced Microphone Preamplifier Circuit Diagram
Power supply:
Power_Supply_Balanced_Microphone_Preamplifier_Circuit_Diagramw
Power Supply For Balanced Microphone Preamplifier
Resistor R3 prevents the amplifier going into oscillation when the input is open schema. If the microphone cable is of reasonable length, R3 is not necessary, since the parasitic capacitance of the cable ensures stability of the amplifier. It should be noted, however, that R3 improves the CMR from >70 dB to >80 dB. Performance of the preamplifier is very good. The THD+N (total harmonic distortion plus noise) is smaller than 0.1% with an input signal of 1 mV and a source impedance of 50 Ω. Under the same conditions, the signal-to-noise ratio is –62.5 dBA. With component values as specified, the gain of the amplifier is 50 dB (´316). After careful adjustment of P1 at 1 kHz, the CMR, without R3, is 120 dB. The supply voltage is ±15 V. The amplifier draws a current at that voltage of about 5.5 mA. Note the decoupling of the supply lines with L1, L2, C2–C5.
Read More..